Long-awaited Studio Tour

Remember when I promised you a studio tour approximately one thousand years ago? Well, I thought I’d finally make good! Here’s where I spend my days:

BDA_studio_officeDesk: Obviously a lot of my time is spent here: designing new letterpress imagery, working on freelance design projects, managing social media and of course blogging! I try to keep my desk fairly neat, but let’s be honest, there is usually a bit more clutter!

BDA_studio_deskdetailsEven though I have significantly fewer appointments these days, I still love my planner. I finally discovered the most perfectly designed planner four or five years ago and have ordered the same style online every year since! For lists that need to last more than a week, I prefer a small notepad—the one pictured here is a very fancy letterpress version given to me by a former intern.

The coffee mug was thrown by yours truly in college. I love drinking from a handmade mug, I always taper my mugs at the bottom so they’re perfect to wrap hands around. And I make them extra large so I only need a few refills each morning.

On the right are Bermuda stamps so I’m ready to send a card any time. I love the stamps here—they’re absolutely gorgeous.

BDA_studio_press BDA_studio_press2Now for the lady of the house: I’ve got Bess set up on a rug with a piece of plywood underneath to protect our light-colored tile floors and my feet. With my type cabinet on my left and a clean table to my right for finished product, I’m set up for maximum productivity!

BDA_studio_inkI keep my ink on my type cabinet, as that’s sort of the “dirty zone.” You can ruin an entire run with one inky finger leaving marks on your work, so it’s important to sequester ink and non-clean items in one area and wash your hands A LOT. When I was in my parent’s house that meant going upstairs every time I needed to wash up, so I feel downright spoiled that our kitchen is just 10 feet away.

Anyway, I mix my ink with a putty knife on a thick piece of glass; standard printmaking procedure. I currently use oil-based inks by Gamblin and Graphic Chemical and save my mixed colors in folded-up freezer paper (another product of my printmaking roots). And yes, I always label colors really specifically: robin’s egg, light orchid, plum, often with notes about consistency as well.

BDA_studio_typecase BDA_studio_toolsThe top of my type cabinet is quite warped (imagine that after a century or so), so I lock up my type on the dresser I use for storage (it belongs to our landlords, so I protect it with a plastic cutting board that just happens to match my yellow rug). I didn’t bring all my furniture (which is the wood blocks used to keep the printing plate or type tight in the frame), so I just keep it in a ceramic bowl I threw in college.

Other necessary printing tools: a ruler, screwdriver, masking tape and pencil hang out on the small side table of my press.

BDA_studio_finishingOver on the clean side of things: a small table to lay out freshly printed work, and my cutting mat for trimming and folding. I use a rotary cutter, thanks to my mom who is a quilter. I find that it doesn’t leave the dragging edge of an exacto knife and it’s much easier on your hands!

BDA_studio_dresserThe newest addition to the studio is this dresser, pilfered from the upstairs guest bedroom with Andrew’s help. I was trying to get by with just a few small drawers of storage and it just wasn’t working out. The room is much cleaner and more organized with it!

Above it, I decided to create a sort of inspiration wall. The alphabet was printed by Sugar Cube Press and purchased at Anthology in Madison before I moved. I’ve added other prints I’ve made, photographs, art pieces from my Australian penpal and others, and my own letterpress circle garland.

BDA_studio_dresserdetails

New Star

A while back I realized that if I kept creating goods at my current pace (a byproduct of needing to busy my fingers while watching tv), I’d soon become a hoarder, or that friend who only gives gifts she’s made. So I picked up hand embroidery–a craft I hadn’t touched since I was very young. It’s incredibly labor intensive and slow going, so I knew the production line would slow its pace, plus I’ve been really inspired by modern takes on the ancient craft that have been popping up on the Internet in the last few years.

I’m not one for following patterns. Or recipes. Or direction of any kind, aside from my GPS… And even then…

Anyway, one of those cross stitch kits from the craft store was definitely not going to be for me. I knew I wanted to create a starfish entirely from French knots—the texture would be perfect—so I drew 5 lines radiating out from the center and got started!

Project in progress
Project in progress

A French knot is one of those things—like knitting and reformatting a hard drive—for which I always have to rely on YouTube to provide a refresher course. Here’s a great tutorial (skip the first 30 seconds).

I picked my colors at random—I already had a couple skeins of the vibrant poppy in the center of the star and knew I wanted to work my way out to something more muted to tie in to a chair we have in our living room. Not having a pattern meant many trips to the craft store, sometimes just for one skein, but sometimes I need an excuse to get out of the house these days anyway.

Some of the legs are a little crooked, some are a little bulgy, and the overall shape certainly isn’t a geometrically perfect star, but I like her and she adds the perfect touch. These days she’s happily keeping watch over our living room, right next to the window that looks out over the ocean!

starfish_4659

Let’s Make a Date

date_print_3121I wanted to make something to thank Amy and Jeff for making me a part of their day earlier this summer, and I had been toying around with ways to utilize my set of wood numerals and incorporate more hand lettering for quite some time. The resulting print—featuring the date of their wedding and a cut made from my own handwriting printed in their wedding colors—turned out great and I can’t wait to make them for other couples and even new parents! Get in touch or order them here.

date_print_3123

Card Club is back!

card-club-1You guys, MY PRESS STILL ISN’T HERE. I haven’t printed in more than two months! I think I’m starting to show symptoms of withdrawal… The only upside is that without the joy of production to distract me, I’ve been checking things off my business development to do list.

card-club-3One of those items is bringing back the Card Club! It’s an even better deal this time around: Each month more than $20 worth of stationery, prints, coasters and other goodies will be delivered to your door—for just $10 per month! A membership also makes an awesome gift for anyone who loves letterpress, getting mail or sending letters! Purchase here or get in touch directly here!

card-club-4

Where in the world is… Bess?

Once we get through the standard rounds of Bermuda questions, there’s a quick pause while my conversation partner processes it all, and then their eyebrows raise as they ask, “Oh! What are you going to do with your press?”

The answer is… bring her along for the ride! I realize shipping a 400-pound antique printing press to another country maybe isn’t the most practical course of action, but I look at it as an investment in my personal happiness. I considered leaving her at my parents’ house and just printing when I go home to visit, but had I left her for a few months previously and it’s just not something I want to do for the next 3-5 years, or however long we’re here.

press 3A few weeks before the big move, my dad and I took her apart into two main pieces, the fly wheel and lots of smaller bits, above. I spent a Saturday rubbing wax over every inch of her to protect from any water and humidity—which also had the added benefit of cleaning more of the 100-year-old gunk from her frame than I thought possible. Then we packed her up along with all my studio supplies, securing everything to a pallet and built a wooden crate around it all. We then shipped it to a facility in New Jersey.

New wood type that I haven't even had a chance to use! I can't wait to print with it.
New wood type that I haven’t even had a chance to use! I can’t wait to print with it.

She’s currently on a container ship on her way to the island. I’m not exactly sure what happens now—some people have said that since I just moved here, my crate will breeze through customs. Others have said it will probably sit on the dock for 2-3 weeks and cost me several hundred dollars in duty to release. Who knows! Either way, I can’t wait for her to arrive—and don’t worry, I’ll share more pics as soon as my studio/office here is set up!