Fall Inspiration

screenshot of the pages of Styled. Magazine

Today I had the good fortune to stumble across Styled. Magazine, an online publication by Victoria Hudgins (of a subtle revelry blog) and throngs of exceedingly talented contributors. Take a moment to page through this lovingly crafted magazine and I guarantee you’ll walk away inspired as I did!

screenshot of the pages of Styled. Magazine

Some may call such devotion to party planning frivolous, but I find that when I put forth a little extra effort—whether it’s picking up fresh flowers on my weekly grocery run or making a well-balanced meal instead of just nuking a lean cuisine—it definitely brightens my day. And if you happen to capture these little bright spots beautifully on camera? All the better.

So dear readers, I hope to be able to include more original content that inspires you here on the 622 blog while continuing to feature beautiful handmade goods and my own work. Here’s to year three at 622 press!

Little Indulgences

Too often we get sucked into a downward spiral of pleasing others. Making sure your friends are happy, your family feels loved, you’re keeping up with everything you “should” be doing. All this outward focus makes it easy to lose track of yourself.

Lately I’ve been thinking about the importance of taking the time each day to do a little something nice for yourself. It can be as simple as indulging in a half hour of your favorite tv show, painting your nails (or allowing yourself not to worry about them!), picking up a sweet treat or going for a bike ride.

Inevitably these little indulgences will include a little shopping… for yourself! Not a garment that will make you look better at work or that someone else will think is cool, something you want just because it makes you happy. Here’s a selection of things that are making my list!

Full disclosure: I ordered this ring from PlastiCouture a couple weeks ago and it makes me smile every time I look down at my finger!

I don’t know what it is about mustaches, but they always make me chuckle. (The cartoon ones do anyway… real ones make me gag a little.) Funny mustaches made of sugar? Even better. Thank you Vintage Confections!

The curse of being Someone Who Makes Things and being friends with People Who Makes Things is having way too many Things That Sit On Shelves and Things That Hang On Walls, but you can bet if I didn’t I’d have one of these little owls from Fruit Fly Pie!

Biscuit Scout

Photo courtesy of fibesquad.wordpress.com

Have you experienced the phenomenon? You’re walking around your town and all of a sudden you see an everyday object covered in something bright… and fuzzy? No, it’s not graffiti, it’s yarn bombing.

Photo courtesy of twilighttaggers.blogspot.com

South African artist Lynn of Biscuit Scout has taken this idea to the next level, creating practical items for the home with whimsical knit covers. From light fixtures to armchairs, her modern chunky knitting style could make the perfect addition to your living room. Here she gives us a glimpse at how she got started, her challenges and advice.

Tell us about your work—why do you create what you do?
My washing machine was really old and had rust marks down its front. It looked very shabby and I was trying to figure out how to disguise it. I couldn’t paint it. I didn’t have a sewing machine to sew an outfit for it so I thought I’d knit one! I knew how to knit but hadn’t done since I was a teenager. I lied when I went to buy the wool – I said I needed enough to knit a blanket. And that started me up this path of knitting large things.

Do you intend for your pieces to be functional or simply function as sculpture?
A bit of both – a knitted article is not suitable for high traffic.

How difficult is it to mold your knitting to a 3-D form?
My Mom taught me to knit when I was about 6 years old. The beauty of knitting with wool is that it stretches so can be moulded to fit once you have the basic dimensions and shapes.

How are your materials sourced?
I’ve found a range of local wools which have a lot of natural colours which I like to work with. I’ve only worked with these and have recently added a range of beautiful and brighter colour cottons (Vinni’s) which are hand dyed by previously unemployed women.

How has your work evolved?
I’m still finding new things to knit. I’m busy sewing my first knitted handbag together at the moment. I hope to finish it today.

What is your greatest challenge?
The shipping costs from South Africa. Yikes!

What inspires you?
This may sound corny, but there is inspiration everywhere – it just depends on how you look at things.
Tell us about your etsy business.
My friend Shelley told me about Etsy about 4 years ago. I joined in April last year. I would love this to be my full time job, but as it takes so much time to knit each object, the finished project is quite expensive and this limits my sales. And then there’s the shipping costs!

Aside from your etsy shop, where can readers find your work?
www.biscuitscout.com (for South African readers – prices in Rands)

What advice do you have for new etsians?
Enjoy the community. There are so many amazing, talented and friendly people on Etsy.

The Bent Tree Gallery

Recently one of my cards was featured in a treasury alongside a pair of beautiful bent wood chairs. I initially thought they must be miniature furniture, made from the most slender twigs. Once I discovered they were indeed human-sized, I had to know more! Enjoy a little Q & A with Marcia of The Bent Tree Gallery.

Tell us about your work—why do you create what you do?
I’m a rural midwesterner, raised by farmer parents who experienced the Great Depression. I was taught not to waste, so became creative with what we had. We were not poor, just thrifty. I found it was fun, as well as challenging, to create something from available inexpensive raw materials, like wood, recycled fabrics, etc.

How did you learn your craft?
I took a basketmaking class in 1981, and my husband (a farmer) taught himself to make rustic furniture in 1982. The ‘farm crisis’ was in full swing; lots of farmers were going bankrupt. We used our newfound basketry and furniture-making skills to supplement our farm income. We have both since taken a few classes, but the main learning takes place as we create. Any new idea or evolution of an old one helps to make us better craftsmen.

Tell us about your sustainable harvesting practices.
We use wild willow trees almost exclusively for our furniture, candle holders, and wall hooks. This tree species is unappreciated by farmers–it spreads into their fields, grows fast, and makes farming around the edges of the property difficult. Similarly, the highway maintenance crews cut it periodically, as it interferes with their roadside mowing practices. So we have no problem getting permission to harvest…it’s a tree nobody wants (except us!). When we cut, we do it in a way that does not kill the tree. We can go back the following year (if it hasn’t been mowed off, sprayed, etc.) and harvest again. And again.

How has your work evolved?
Our work has evolved over the past 30 years by becoming more refined and more sophisticated. At first we didn’t sand anything, and didn’t use a finish. We didn’t kiln-dry, we didn’t use jigs (contraptions that help insure that every piece is the same size and shape). We made just the basics…chairs, loveseats, end tables. Today we still make the practical items, but they are much more esthetically pleasing. And we do lots of custom orders for people, and also make nonfunctional pieces, like our orbs and our wallscapes.

What is your greatest challenge?
Our greatest challenge is probably time. There are so many pieces we want to make; so many items yet to become reality. So many ideas; so little time.

What inspires you?
We are inspired by nature and we never fail to be amazed and impressed by others’ art. We might see something made from steel, and we think, “how can we do something similar with willow?”

What advice do you have for people looking to take up a new artform?
I would say, “Jump in and try it. Maybe take a class first if you are insecure. Otherwise, find instructions online or use your own common sense to try something new. It may not turn out exactly how you’d envisioned, but you will learn a lot from that
first attempt. Then you can move on from there.”

How does one care for your furniture?
Our furniture is kiln dried and finished with several coats of a hard satin sealer. We do recommend it be placed in a sheltered location. A covered porch is fine, and lots of people keep it inside. Clean as you would any other fine wood furniture. However, you may take it outside once or twice a year and just hose it off, if it’s on the porch and gets dirty or dusty.

How did you discover etsy.com?
Our daughter got us started on Etsy. She had been having success selling her leather handbags (www.stacyleigh.etsy.com) and thought we would benefit from an Etsy shop, too. She was right! Etsy is not our main business; we have a brick-and-mortar gallery (The Bent Tree Gallery) in Clarksville, Missouri, on the banks of the Mississippi River, which is open six days a week. We also have another website, www.thebenttree.com, which generates much of our furniture orders. We also do 2-3 art shows a year.

What advice do you have for new etsians?
It takes a while to build up your sales. Don’t get discouraged if you aren’t selling much for awhile. But do keep your shop active by listing, relisting, answering convos promptly, keeping up with any treasuries you are in, etc. And be sure to provide excellent customer service for those people who do buy your work. This will result in repeat customers, and repeat customers are the best…they are saying, ‘your work is so good I have to have more!’ That is the best kind of encouragement!