Typhography textiles

navy_4744Confession: I love watching home improvement/décor shows. Back when I owned (and was in the process of rehabbing) a century-old bungalow, watching them was a near daily activity. I’ve weaned myself in recent years, but a few months back I caught an episode in which the host and her trusty sidekick rustle up some antique wood type and simply stamp them on canvas for fairly inexpensive art.

Lucky for me, I happen to already own a lot of antique wood type.

I had silver metallic screen printing ink from a few years back when I thought I’d take up yet another method of printing (because I don’t have enough on my hands), so I decided to use that on regular fabric instead of gessoed canvas.

navy_4748My plan was to print enough to stretch around a frame large enough to cover an unsightly fuse box in our entry way, plus enough extra to do a test wash and maybe a few scraps to include in a patchwork pillow project I have planned. While I had the ink out I also wanted to test out an idea for bespoke monogrammed wrapping paper I’ve been kicking around for a while.

Thanks to the magic of television, I didn’t realize how incredibly time consuming the project would be! After spending entirely too long printing a 12”x12” block of paper, I realized it wasn’t going to be a feasible option for retail (although my sister’s Christmas presents looked fab).

The letters printed more rustically than I anticipated, but I love how the fabric turned out! What do you think? Would you invest in hand-printed fabric for an accent pillow or piece of art?

navy_4741

A Christmas Letter from 622 press

I know this should be a travel post, but instead this week I did some actual traveling, in the form of heading home to Wisconsin for the holidays. I’m taking a mini break from business and blogging through the new year, but if you’re looking for some holiday reading material, check out decor ideas here, here, and here, plus awesome handmade gift guides from years past here, here, here and here, plus wrapping ideas here.

Dear Friend,

2014 has been a big year for 622 press. It started off normally enough: living in Madison and continuing to work as art director of BRAVA Magazine—all while driving down to Mom and Dad’s on the weekends to print on my antique letterpress. Spring was particularly busy, as the business added Middleton’s The Regal Find to its group of wholesalers—in addition to Driftless Studio on State Street in Madison; the now-defunct east-side Absolutely Art; and When Pigs Fly in Whitewater.

I was also printing my largest wedding stationery suite to date—150 three-piece invitations with lined, printed envelopes, 2 different thank you cards, menu cards, recipe card favors and more, plus designing a wrap for the invites, table numbers and seating chart—along with two other weddings, and the usual business cards, stationery and such. There were quite a few nights that I got back to my Madison apartment entirely too close to midnight, rushing down after work and printing the entire evening—but it was worth it to grow 622 press.

Amy_Lanser_3085By summer I had finally accepted Andrew’s invitation to move to Bermuda—job or not (I had been hunting from the U.S. since last year). I told BRAVA my plans months before the planned move—and after a few tense weeks of indecision, they committed to my current contract position as main freelancer for design work. However, we still had to find a replacement for me as Art Director. It’s sort of a funny thing—searching for someone to do the job you’ve poured everything into for 5+ years… plus she would be my boss! I’m so glad we ended up with the candidate we did though.

The process to apply for Bermuda residency was incredibly long and costly—and inefficient. Every time I thought I had submitted everything the government/health insurer/customs official needed, I was handed another list of medical exams, notarized documents and letters to acquire. I had planned to move in late July/early August, but the BRAVA logistics pushed my move until the end of August—exactly when my lease expired, so I was working right up until the week before I flew out, along with selling all my furniture and car, packing a shipping container, giving away the remainder of my clothes and household items and trying to take care of last-minute logistics like bank accounts and cell phone plans. It was chaos, but the knowledge that a slower-pace awaited me on the island sustained me.

That slower pace wouldn’t come for a while though—the shipping container had arrived, but Bess remained on the dock for weeks while I filled out more and more paperwork and proved over and over again that I had permission to live on the island. I also got a Bermuda driving license (written and driving exams, just like in the U.S.!) and bought a bike.

Finally Bess and everything else was delivered—I finally had a decent set of dishes (goodbye, Andrew’s bachelor kitchen), some artwork and most importantly, my studio. It took quite some time to get everything set up, but now it’s the perfect creative space—with an ocean view to boot.

10374486_837145149658694_1885042334076427652_n

Since the big move, I’ve been freelancing for clients old and new, as well as trying to grow 622 press. I post of-the-moment updates on facebook nearly every day, and of course blog as often as I can!

Several of the invitations we printed this year were featured on Wedding Lovely, a blog and wedding resource site that has been incredibly supportive of 622 press over the years. Our shadow monogram stationery was featured in Cool Mom Picks’ annual gift guide, which was far and away the biggest editorial feature I’ve had to date, and prompted quite a few orders this winter.

Screen Shot 2014-11-15 at 5.27.36 PM

While I used the end of 2014 to get the business in order—making sure inventory is correct, analyzing pricing, timing and shipping, and redesigning our branding—2015 will be all about new work. I’ve been designing a new spring collection of cards and prints, plus brainstorming and prototyping new products, and searching for new stores to begin wholesale relationships with. I can’t wait to show you what I’ve been up to!

Until then, stay warm, enjoy time with your family and be grateful for such a blessed life—I know I will. Merry Christmas and happy holidays, see you in the new year!

Kristin

circles_ornaments_4832

A Reluctant Quilter

About a year and a half ago, I sent my mom a text that began “Hell has frozen over, I have a question about quilting….” Marge has always been a sewer—from her childhood Barbie outfits to both her and our clothes a few decades ago, not to mention countless projects around the house, prom dress hems and more. I’d be willing to bet my parents’ house has more than one quilt in every room. She was our 4-H leader for sewing and owned a sewing machine shop for a while as well, which I worked at part-time in high school.

So in short, I’ve always been a sewer as well. But, as I’m sure you can tell by now, I’m not much of a pattern-follower, so quilting didn’t appeal to me. But here’s the big secret, readers: quilt squares don’t have to follow a pattern.

When I got a hankering to start a quilt, I just started sewing triangles together. I knew the feel I wanted, so I picked up 8 fat quarters (which are quarter-yard pieces that are more square-shaped than long and skinny like they would be off a bolt of fabric) and cut angular pieces that I simply sewed together into interesting arrangements. Once I ironed them flat and trimmed each into a 6-inch square—voila! Quilt squares!

quilt_4436Now to assemble: I got 50 squares out of my fabric, but didn’t like the shape when I arranged them 5 wide by 10 tall. So, I nixed two of the squares and went with a 6 by 8 quilt. I wanted to use some fabric I already had for the strips between squares, so I did some math and figured out that I had enough fabric for 2.5″ strips. One more afternoon of sewing—assembly-line style—and I have my quilt top finished!

quilt_4439I still have to do the actual quilting of the blanket, but I’m waiting to buy batting in the U.S.—it’s just too expensive here. Either way, I’m excited to be in the home stretch!

quilt_4544 quilt_4546

New Star

A while back I realized that if I kept creating goods at my current pace (a byproduct of needing to busy my fingers while watching tv), I’d soon become a hoarder, or that friend who only gives gifts she’s made. So I picked up hand embroidery–a craft I hadn’t touched since I was very young. It’s incredibly labor intensive and slow going, so I knew the production line would slow its pace, plus I’ve been really inspired by modern takes on the ancient craft that have been popping up on the Internet in the last few years.

I’m not one for following patterns. Or recipes. Or direction of any kind, aside from my GPS… And even then…

Anyway, one of those cross stitch kits from the craft store was definitely not going to be for me. I knew I wanted to create a starfish entirely from French knots—the texture would be perfect—so I drew 5 lines radiating out from the center and got started!

Project in progress
Project in progress

A French knot is one of those things—like knitting and reformatting a hard drive—for which I always have to rely on YouTube to provide a refresher course. Here’s a great tutorial (skip the first 30 seconds).

I picked my colors at random—I already had a couple skeins of the vibrant poppy in the center of the star and knew I wanted to work my way out to something more muted to tie in to a chair we have in our living room. Not having a pattern meant many trips to the craft store, sometimes just for one skein, but sometimes I need an excuse to get out of the house these days anyway.

Some of the legs are a little crooked, some are a little bulgy, and the overall shape certainly isn’t a geometrically perfect star, but I like her and she adds the perfect touch. These days she’s happily keeping watch over our living room, right next to the window that looks out over the ocean!

starfish_4659

How to Grow an Avocado Tree

avocadosLadies and gentlemen, we have a sprout! While an actual tree may be a while off, these little guys are already defying my dubious expectations (chronicled here). So, as promised, here’s what I did:

  1. Make guacamole, duh!
  2. Remove any remaining flesh. Let the pit sit out for about a day to dry a bit.
  3. Peel the thin, dark brown skin from the tan flesh of the pit.
  4. Stick 3 wooden skewers 1/4″ or so into the pit so as to suspend it about halfway in water.
  5. Place stem-side down in a container filled with water, set on a sunny window sill and wait! You’ll need to refill the water regularly.

I noticed the pits starting to split down the middle about a week in. Another week in, and one of my pits has a visible root growing from the bottom of it, while the other’s root is still in the crack. My friend Kaia left hers to grow in water for several months, until the stem that will (hopefully) eventually come out of the top of the pit was more than 8 inches tall.

Have fun and good luck!