Chloe and Vanessa got married today under a big old tree in Spring Green, WI. When we started talking about their invitations early this year, they wanted that beautiful tree to feature prominently in their invitations, and were drawn to the look of watercolor as well as the luxurious tactile quality of letterpress.
Although some printers have created a watercolor-like look via multi-color (read: expensive) letterpress printing, I knew a hybrid method of offset and letterpress printing would be perfect for this project!
The design began with an old botanical sketch of an oak tree, which I laid a green watercolor wash into for their invitation. The small informational text was also printed digitally to allow the couples’ names to be printed with a super deep impression in the gorgeous cream cotton paper.
We let the watercolor shine on the information-only enclosure—the couple decided online RSVPs were the way to go—and a hand-drawn map by the bride shows off well known artistic tourist attractions such as American Players Theatre and Frank Lloyd Wright’s Taliesin along with the wedding venue.
Congratulations Chloe and Vanessa, and thank you so much for making me a small part of your big day! Wishing you a lifetime of happiness!
Where did April go? Oh right, to Las Vegas, Utah, Kansas City and New Orleans. I’ve been traveling for most of the last month, and let me tell you, it’s good to be home. I’m finally catching up on my to do list, which of course includes sending out Card Club collections! April was an extra special delivery of a set of limited edition, hand-painted letterpress prints. I always get the itch to freshen up my space in the spring, and new art is a great way to do that!
We were back to cards for May, and these are some of my faves in a bright spring palette! Like what you see? Subscribe here—and don’t forget a subscription makes a great gift for Mother’s Day or any other holiday!
Guys, I hate to be the one to break it you, but there’s a pair of newborns out in the world totally showing you up in the stationery department. Several months ago, their mama-to-be got in touch about a custom order so she’d have plenty of paper for thank you notes before the babes were born. We chatted about options, I created a few designs… and then the communication stopped. One guess what she was busy doing!
We finalized the design a few weeks later and I printed these beauties in pink and blue ink with a blind emboss ampersand. Paired with snow white envelopes, they are as perfect as those new babies!
Confession: I love watching home improvement/décor shows. Back when I owned (and was in the process of rehabbing) a century-old bungalow, watching them was a near daily activity. I’ve weaned myself in recent years, but a few months back I caught an episode in which the host and her trusty sidekick rustle up some antique wood type and simply stamp them on canvas for fairly inexpensive art.
Lucky for me, I happen to already own a lot of antique wood type.
I had silver metallic screen printing ink from a few years back when I thought I’d take up yet another method of printing (because I don’t have enough on my hands), so I decided to use that on regular fabric instead of gessoed canvas.
My plan was to print enough to stretch around a frame large enough to cover an unsightly fuse box in our entry way, plus enough extra to do a test wash and maybe a few scraps to include in a patchwork pillow project I have planned. While I had the ink out I also wanted to test out an idea for bespoke monogrammed wrapping paper I’ve been kicking around for a while.
Thanks to the magic of television, I didn’t realize how incredibly time consuming the project would be! After spending entirely too long printing a 12”x12” block of paper, I realized it wasn’t going to be a feasible option for retail (although my sister’s Christmas presents looked fab).
The letters printed more rustically than I anticipated, but I love how the fabric turned out! What do you think? Would you invest in hand-printed fabric for an accent pillow or piece of art?