rough drAft books

Isn’t there something wonderful about a fresh notebook? That first, crisp page staring blankly at you can be intimidating, and yet inviting—receiving the mark of your pen is its purpose after all. A book that also happens to be a beautiful work of art in itself can become quite the treasure.

Today we meet E, proprietor of Rough Draft Books and maker of amazing pieces with a noble goal. She’ll tell us a little bit about what she does, why she does it and how her work ended up being carried by Anthropologie! Along the way, she dispenses some advice we can all take to heart. Enjoy!

Tell us about your work—why do you create what you do?
The work I make for my book studio, roughdrAftbooks, is mostly hand made book forms. Their purpose is simple: to aid in this obsession I have with recording stories and storytelling. I am making spaces for people to document their lives. I am hoping in some small way it serves to keep the art of writing and oral storytelling from ever completely disappearing. I am hoping if people write their stories, they will then tell their stories and as the history of the world is being recorded each day, all these new voices will be heard. And hopefully, collectively, that history will be more reflective of all the people who have lived lives here. That’s a lot to ask of a hand made book I know, but we like to dream big round these parts! [laughs]

How did you learn your craft?
A dear friend of mine started making books after we graduated college and she started showing me some simple forms. I got really interested and started taking a few classes here and there and finally was hooked. From then on, it was just practice, practice, practice. My training is in graphic design and art history so I came to book binding later on in the game. But once it found me, thanks to that friend, I knew it was the perfect fit for all my aesthetic sensibilities.

Where do you find all your beautiful papers and materials?
Most of the books I make now are hand painted using spray paint and acrylic or drawn on in marker or pencil right on the cover boards. They really are these intimate little paintings that just happen to be book covers. Most are one of a kind. When I do use papers or found objects, they are coming from a variety of places and most are scraps actually. The metal is from junk yards and the paper is from years and years of hoarding! I do get some of the specialty papers from Talas or Hollanders online.

How has your work evolved?
My work specifically to book making has evolved so much in the last 10 years. I think when you are learning a new craft in the beginning the learning curve is steep so you are just mastering the skill of how to make something, you are just getting used to the vocabulary. As you get better and the actual making becomes second nature, your ideas can finally be more clearly realized. I’m at a point now where I am simply trying to say what I mean in the form and in the content, making those two serve each other is difficult at times. In the end though I hope for the user, it’s still a beautiful object that doubles as a space for someone to tell their story in.

What is your greatest challenge?
I guess my greatest challenge is always time. I always have more ideas than hours in a day or energy I can muster! I just keep copious amounts of lists and sketchbooks filled with notes and ideas in hopes one day I will see them through to creation. Wishful thinking!

What inspires you?
There is a constant thread of things I am inspired by on a visceral level and then there is always some newly “found” love of my life things fluttering about inspiring me to no end. Right now—this second—I am enthralled by banjos and fiddles, filtered light, crushes, army green, scarf-wearing weather and owning a camera again. But the list of inspiration that is embedded inside me is: lines, land masses, cracks, horizons, territories, earth surfaces, natural patterns, chance. crevices, stories, the space between things. pauses. Words and their fluid meanings, memory, tension, shape; the way one line meets up against another, or where one colors starts to change into its opposite. I like thinking about middle grounds. I don’t know, I suspect I am pretty transparent, you can kind of see those influences in the stuff I make… ok not the banjos.

Tell us about your etsy business.
I don’t feel like I am very good at etsy although I do love it. I came to it as a customer and an admirer way before I decided to sell my books on the site.
I started selling them in 2009 on etsy, but I’ve been making them for about 12-15 years now. I think I am still a beginner so I make mistakes daily. Etsy isn’t my full time job but making things is. I just make them for a variety of platforms not just online.

What advice do you have for new etsians?
Good luck brave souls, go forth and MAKE.

Where can readers find your work?
You can find my work in Philadelphia shops like ArtStar and the Art Shop at Moore College of Art & Design. If you aren’t in Philadelphia, check out your local Anthropologie store and give a look. Also on Anthropologie.com too!

How did the relationship with Anthropologie come about and what was it like working with a national retailer?
Yes, thanks so much. I have been collaborating with Anthropologie for about 4 years now in terms of making objects for their stores to sell. For me, I was lucky because I already had a relationship with the company and we have an aesthetic that compliments each other. I think that’s the best thing to try to find if you are trying to get your work out into the world. Find places that speak to your work’s inherent aesthetic sensibility because everything is not for everyone. Find the people or the environment that will appreciate and support your kind of work.

Easy DIY Ribbon Necklace

Last May, we featured a great ribbon-and-chain necklace in a BRAVA fashion shoot. While everyone from the models to our fashion coordinator coveted the lovely piece, I sat back and thought, “I could make that.” As with most things on that list, it took me months to get there, but finally, I have that perfect mix of hard and soft embodied in a piece of jewelry!

The project was so easy to make, I thought I’d share the super quick instructions with you!

Supplies:
•60″ length of 1.5″ wide satin ribbon
•ubiquitous tacky chain necklace from the ’80s (I’d venture to guess you could substitute a light chain from the hardware store instead!)

Step 1: Lay the necklace flat, making sure the links fall as you’ll want to wear it. Thread the ribbon through the first link. Leaving about 20″ of ribbon at the end, tie a knot.

Step 2: Weave the ribbon through the rest of the links, making sure not to flip any so the necklace will hang nicely around your neck.

Step 3: Keeping the necklace flat, tie a knot at the other end of the necklace to ensure the  chain doesn’t slip down the ribbon.

Step 4: Tie the necklace around your neck so it hangs at a length you like and voila!

Holidaze

Well kids, it’s officially November. Believe me, I checked. Twice. I don’t know where summer or even fall went, but I do know that we’re working on the December issue of BRAVA, so that means I had better get my act together and get some holiday cards out!

Now available in the 622 press shop: several different colors of ornaments, a vintage “Fifth Day of Christmas” print and the PEACE tree card below. Enjoy and have a happy November!

R.I.P. U.S.P.S.?

Vintage Air Mail Save the Date by Beth Cote

Depending on what side of the aisle you favor, the proposed cuts to the U.S. Postal Service are either a heinous attack on an American institution or a necessary step to balance the national budget. All I know is that if I have to stand in line any longer, I’m switching to Fed Ex.

No matter where you fall on that issue, everyone likes to get mail. I know I’ve waxed semi-poetic about the virtues of card-sending before, but really, is there anything better than the surprise of a hand-written note? At least one person agrees with me: Stefanie of Newspaper Taxi is holding a contest for lovers of letters.

Info on the image below, full details if you click on it! Enjoy and good luck!

Andie’s Specialty Sweets

Lately I’ve become more and more intrigued by etsians producing and selling their culinary creations. Are they all professional chefs? Are there any special restrictions for selling food online? Are they making each piece to order? How does it feel to entrust something so vulnerable to the Postal Service?

I thought I’d start with an interview with a master of the most captivating of all foodie goodness: sugar! I’ve had the confection version of the Scrabble tiles below on my favorites list for a while now, and while I haven’t yet found the perfect occasion to order them for, I did get us all a sneak peak into the company that creates them: Andie’s Specialty Sweets. Andie herself took a little time out of her sweet life to give us one of the most informative interviews to date! And it sounds like Andie’s has some exciting things happening in the near future, so stay tuned!

Tell us about your work—why do you create what you do?
There is something inherently delightful about creating anything with a bit of sugary shock value. Besides the sheer enjoyment of the work itself, we like the flexibility our mail order sugar creations give our wide range of customers. For those planning any special event, we know it is not always easy to piece together the confectionery contents, overall structure, finished design, and final price and find all those components that one likes under one roof, or one’s personal kitchen. Throw in a busy schedule …and who couldn’t use a break? We hope to offer one piece of the puzzle, that might eliminate a bit of the challenge associated with confectionery design.

How did you learn your craft?
I am self taught. My background does have a culinary setting with a dad who was a trained chef, and who taught me the thrill of what a dash here and a splash there can do. Making pancakes and pastry dough from scratch was ordinary growing up, and from a young age I was encouraged to read a recipe and get messy. Straight out of high school exciting jobs, with more learning and hands-on instruction than I could get in school, rolled out before me. Each one was a hard decision, knowing I was prolonging a potential degree of some sort, but the outcome served as invaluable to a great extent. By the time I was 21, being in business for myself was natural and wonderful! Before Jason and I began starting our family (which kept coming until we stopped at 4) I was running a productive interior mural and decorative painting operation. I didn’t want to miss a moment with our first baby so choosing a stay at home role let the creativity pour out and into caring for my family. It was here, at the center of making life delightful for those I loved that confectionery bliss spun it’s magic.

Are there any particular challenges to selling perishable goods online?
This is a challenge we’ve endeavored to avoid from the beginning. Thankfully, the majority of our items are non-perishable. We’ve worked really hard from a list of principles and goals to develop recipes that are amazing (taste wise), do not spoil, are as wholesome as possible (without dismissing the sugar), and will stand up against the heat (for travel and outdoor events).

One of the great advantages of chocolate is that it keeps very well. Our chocolate filled items have the shortest shelf life out of all our treats, but still maintain an amazing 8 months of optimal palatability. The biggest problem that can arise dealing with chocolate is if the chocolate is exposed to heat, melts a little, and separates from the cocoa butter which can cause discoloration or ‘bloom’ on the surface. This is due to the fat melting and re-crystalizing. It is not dangerous for eating, but it looks bad and it can effect the taste. We’ve spent allot of time developing our candy shell which insulates and seals our chocolate from any premature unfavorable results, such as these.

What should buyers look for in a confectioner?
What one looks for in a confectioner is an individual prerogative. This is why the confectionery world has such variety – there is a market for it all. Everyone has their unique selling point. Our business has developed from our own personal preferences. As far as preparation goes, there are many things I cannot tolerate. I have one of those overactive minds when it comes to hygiene. One of our many rules is, “No talking over the sweets.” There is not an open mouth when sugar creating is commenced. Another selling point for us is quality – it is everything, and we’d rather savor a special, occasional, exceptional sweet than many ordinary ones.

The irony to this sweet side of our lives, is we may be the most unlikely ones to be the minds behind such sugary delights. Besides subsiding off mostly a raw diet, we fit the mold for the typical alternative medicine, non-fluoride toothpaste, and anti-junk food (minus the looking down on others who don’t do the same) family. The raw diet was a horrible thought when Jason first presented the idea. I could not imagine the simmer of stews, soups, and sauces being replaced with a cold salad and a glass of milk…every night. But now that we are so busy…it is the most convenient way to eat, and has given us astounding energy for our busy schedule. We do, however, believe there is a time and place for everything. And for us, since a treat is a real treat in our household, we wanted to create something worthwhile – not too sweet, full of flavor, the best ingredients, and surprising to the eye.

How has your work evolved? How do you learn new techniques?
Our work has evolved simply from doing it. The more we work with our recipes and ideas, it becomes second nature. Similarly, the more familiar we become with how things work, the more techniques we are able to develop. At this stage, we are most successful in developing techniques from trial and error—we think something might work, so we try it. We’ve encountered some real disasters, inside the privacy of our own studio, but there is so much to learn from failures – inevitably, they make you strong.

What is your favorite thing to make?
Let’s put it this way…there is nothing I don’t like to make, nothing has become tedious or mundane—it is the most fun job we could ever ask for.

What is your greatest challenge?
Our greatest challenge, at the moment, is a need for a systems/business manager….and I already know who it is – we’re just waiting for her to leave her job and all that is secure in her life, and come work for us…heehee. Having someone to take care of all the details of scheduling, customer interaction, budgeting, inventory (and the list goes on) would be like giving us one more Andie. Our production would double and you’d see even more creative works brought to conception.

What inspires you?
A combination of beautiful things and people inspire me. Beautiful aspects of creation, whether intrinsic to our surround or from the hands of collective minds…float through my sphere of enchantment, and I often see them, quite literally…as candy. Equally, I consider people and what might allure and delight them.

Tell us about your etsy business.
Andie’s Specialty Sweets is our full time job. Here’s our walk down memory lane. I discovered Etsy for the first time, after punching in a search for “hand crocheted baby blanket”. It was after several purchases that I thought to myself, “I guess I could list a couple sugar flowers in here and see if I get a job here and there – that might be fun.” Six months went by and no customers. Finally a kind soul noticed I had not refreshed one listing since I opened my shop, nor did I have a shop banner. She generously gave her time to teach me the ropes. It took one year to reach our 100th sale. After that we began experiencing a strange phenomena of sales doubling every month. It was then that we began seeing the potential and decided to go for it, and made strategies for raising 4 young kids while we balanced two full time jobs. We have sense narrowed down our focus and reliance on the sole work and income from Andie’s Specialty Sweets, and it’s rewards keep on coming.

Where can readers find your work?
We’ve decided to wait on retail opportunities, have been very selective and thoughtful of where we would sell our items, and have focused our energies into the quality and integrity of our edibles. And I’m really glad we have. Quality control and maintaining our brand has been important to us. But good things come to those who wait – so keep your eyes peeled. We think we’ve found our perfect resale match, we just can’t tell you yet…shhhhh.

What advice do you have for new etsians?
Everyone should protect their business. Besides being a hubbub for the media spotlight, Etsy is teaming with designers and developers looking for the next best thing. The exposure at Etsy is phenomenal. Everyone should eventually, at some point, trade mark their name and copyright their images. Even if one’s creations are not particularly unique, the photographs that depict their work and name is. This important step will make all your endeavors valuable, to a potential buyer or for personal long term sustainability. It’s a minimal investment, and worth it in the long run.

[Editor’s Note: I can’t help but second this piece of advice with a resounding YES! And supplement it with the fact that the trademark process will be much easier if you choose a unique name. I had a run-in when I first began my letterpress business under a different moniker: Despite googling, searching on etsy and checking with briar press, a few weeks after I started my shop, a woman emailed to say she would be taking legal action if I didn’t change my name immediately. Did my due diligence and the fact that I couldn’t find her three weeks before matter? No, what mattered was that she had been granted the trademark for the name a week prior. Luckily, I hadn’t done much in the way of brand development yet and was only out a couple dozen cards and the cost of a few printing plates—plus I’d gained a little wisdom and began the process to trademark 622press immediately. I hope all small business owners out there can learn from my mistake!]