Win free stuff!


This blog surpassed 10,000 views last week and to celebrate I thought I’d give away some awesome merchandise from Grand Array. Hannah Stouffer (read about her here and here) provided the goods, I’ll provide the shipping and all you have to do is leave a comment below! Say whatever you’d like — just make sure to include your email so I can get in touch with you if you win!


Giveaway includes: a sweet Blood is the New Black tee (size medium), three cute matchbooks and a book, all featuring Hannah’s illustrations. Winners will be chosen one week from today by picking a number out of a hat — good luck!

Digital sit-down with Hannah Stouffer

Hannah Stouffer is the brilliant hand behind Grand Array (which I posted about back here). I asked her to give us all a little insight into how she does what she does.

Digitally rendered illustration for Wiley Publishings instructional book on Photoshop
Hannah Stouffer's digitally rendered illustration for Wiley Publishing's instructional book on Photoshop

How did you get your start as a professional illustrator? What was your first big job?
One day I told myself that I was going to be an illustrator… then I started telling everyone else… and one day when I was riding the bus I got a call from a big pharmecutial company that wanted to pay me to draw.  I don’t even know how they heard that I was gonna be an illustrator, but it was really surreal and it all kind of snowballed from that point.  If you believe in something enough and want it, it will all work out.  I swear.

What are your inspirations and influences?
There are many.  I don’t even know where to start.  I’m very easily overwhelmed and I’m attracted to so many things… sometimes I feel like I might explode… in a good way.  I was reading this Pictorial Encyclopedia last night from 1990, I tend to do that a lot… I only made it from A-D though . . . but it gives me a bunch of good information and ideas without allowing myself to be influenced by contemporary phases and trends. I’m extremely interested with classifications and sub-cultures . . . both historically and in our current society.

What is your process?
Research then draw, and hope that it all goes away when I close my eyes at night.

Is the work that’s in commercial campaigns and magazines a sketch you did for yourself first that they liked or do you create work with a specific client in mind?
I’ve decided recently that in order to keep the basis of my work as real as possible its important that I create most of what I do for clients on my own terms.  I usually create a series of works for a gallery show, or for myself and  then incorporate into the work I do for clients, or even license it out for other projects and product.  This isn’t always the case as clients do often have something specific in mind- but more often than not I make work for myself first.

Any advice for aspiring illustrators?
Hustle.  Everyday.

Anything else we should know about you?
I’m wearing black reptile skin pants and this amazing oversize ‘Party Prowler’ tee right now that I got at the flea market, I just ate some string cheese and I feel like a million bux.