Studio Update & a Sale!

One of my favorite stockists got in touch just days after the Supreme Court’s marriage equality ruling a few weeks back. As we had many times before, she wanted to brainstorm some new card ideas to celebrate the wedding boom she saw in the near future, and I was all too happy to oblige!

I offered several ideas and she added a few of her own and as always, let me run away with the design. Some were simply variations on designs that already existed in the 622 press collection. Others were brand new and allowed me to show off my ever-growing collection of wood and lead type! I’m most excited about the congratulations cards below: I love the way they evoke the old-school letterpress style of shops like Hatch Show Print.

She also needed to restock on a fair number of best-sellers, and the result is my biggest wholesale order to date! I’ve been printing almost every day for weeks, and it feels great to be so busy.

This week is all about folding and packaging her order and photographing new designs to list in my etsy shop. Now I have to find a home for all these new designs! To help me clear some space in my stockroom, I’m offering 25% off purchases of in-stock merchandise through the end of the month! Just enter the code “622BLOGFOLLOWER” at checkout. Enjoy!

Hatch Show Print

I’ve never written about arguably the most well-known and respected letterpress studio in the U.S. until now because, well, almost everyone else has. But last night I watched Jim Sherraden of Hatch Show Print present the shop’s work and history and I’m so inspired I can’t resist.

Hatch is the longest running letterpress studio in the U.S., operating continuously for well over a century. Jim has been instrumental in not only keeping the shop running through the hard times (also known as the ’80s) but preserving its historical accuracy. He doesn’t allow any new wood fonts into the shop, believing the Hatch brothers (founders, originally from Wisconsin!) carefully curated the collection to work well together; and by only allowing new artwork that’s been hand carved—no digitally-created photo-polymer cuts.

Hatch does, as you can see, regularly employ the magnificent collection of historical printing plates, adhering to a theory they call “Preservation by Production”—or the belief that vintage wood cuts and fonts fare better with regular use. I would rather see these artists create beautiful work than gaze at plates behind glass any day. They have a cut of nearly every famous artist that ever played Nashville, as well as some of the earliest printing plates in the states—and they’re still printing all of it. I’m thinking of planning a trip to Tennessee just to visit Hatch!