Mr. Mucca

Last week I had the pleasure of attending a Design Madison event featuring Matteo Bologna of Mucca Design. I actually had the opportunity to see Matteo speak several years ago when he was a visiting artist for NOWhere at UWSP, but didn’t go. I almost always seem to find a reason to skip speaker events, but when I do make myself attend, I leave inspired and refreshed. Note to self: Force self to get self’s butt off the computer chair and out into the world!

Mucca is a very professional, diverse, award-winning design studio, and yet Matteo is surprisingly approachable and authentic. The studio’s work is beautiful and inspiring, but Matteo’s thoughts on design are what really stuck with me. For instance—when’s the last time you heard a designer say “I don’t beleive in logos?” Instead he believes in creating an environment of sorts—take design a step further than slapping a logo here and there by employing secondary and tertiary design elements on all surfaces to design an experience.

I did get a little jealous when Matteo spoke about his relationships with his clients. Of course they’re never perfect, but it was pretty amazing to hear about the value his clients place on design, that they understand design is good for business, not just something they have to do because it’s just what you do. He also got to be one of ten featured designers to create an anniversary cover of Italian GQ—another thing to be jealous of: all-typographic covers!

Hatch Show Print

I’ve never written about arguably the most well-known and respected letterpress studio in the U.S. until now because, well, almost everyone else has. But last night I watched Jim Sherraden of Hatch Show Print present the shop’s work and history and I’m so inspired I can’t resist.

Hatch is the longest running letterpress studio in the U.S., operating continuously for well over a century. Jim has been instrumental in not only keeping the shop running through the hard times (also known as the ’80s) but preserving its historical accuracy. He doesn’t allow any new wood fonts into the shop, believing the Hatch brothers (founders, originally from Wisconsin!) carefully curated the collection to work well together; and by only allowing new artwork that’s been hand carved—no digitally-created photo-polymer cuts.

Hatch does, as you can see, regularly employ the magnificent collection of historical printing plates, adhering to a theory they call “Preservation by Production”—or the belief that vintage wood cuts and fonts fare better with regular use. I would rather see these artists create beautiful work than gaze at plates behind glass any day. They have a cut of nearly every famous artist that ever played Nashville, as well as some of the earliest printing plates in the states—and they’re still printing all of it. I’m thinking of planning a trip to Tennessee just to visit Hatch!

Fall Inspiration

screenshot of the pages of Styled. Magazine

Today I had the good fortune to stumble across Styled. Magazine, an online publication by Victoria Hudgins (of a subtle revelry blog) and throngs of exceedingly talented contributors. Take a moment to page through this lovingly crafted magazine and I guarantee you’ll walk away inspired as I did!

screenshot of the pages of Styled. Magazine

Some may call such devotion to party planning frivolous, but I find that when I put forth a little extra effort—whether it’s picking up fresh flowers on my weekly grocery run or making a well-balanced meal instead of just nuking a lean cuisine—it definitely brightens my day. And if you happen to capture these little bright spots beautifully on camera? All the better.

So dear readers, I hope to be able to include more original content that inspires you here on the 622 blog while continuing to feature beautiful handmade goods and my own work. Here’s to year three at 622 press!