Honey, I’m home!

DSCF0197The press is here! In my house! Everyone say it with me, “FINALLY!” My parents loaded up the back of the truck one (last, maybe?) time and hauled the press, one type cabinet and supplies down here a week ago. I spent the day setting up and was printing by Sunday night! I’m really pleased with my new workspace—the smaller of the two bedrooms in the old part of the house, you’re welcome, Mike—it’s big windows and fresh coat of paint make it such a bright place to work. I’m still figuring out the best arrangement for all the furniture in my tiny room, but here’s how I’ve got it worked out right now!

DSCF0199It took me much much more time than it should have to get those shelves level, but I fit all of the cuts I currently have in rotation! Paper storage in the clean white shelves, type cabinet is just to the left of the frame of the picture.

MIA

Hey kids, I know I’ve been missing in action lately, but my life has been, to say the least, chaotic. I won’t go into all of it, but the highlights (or low-lights as they were) include my press having a major break (fixed now) and the company I worked for ceasing operations (still working on that one — yes, I am accepting freelance work, letterpress or otherwise).

In other news, here are a few pieces I created before the press cracked, and I’ve been working on custom pieces like crazy to catch up, so there will be lots to come! In the mean time, you can always keep up on local happenings on Hold That Thought, an interim publication for a few of us from the old company. (I’ll be posting about Hair Affair in a day or two!)

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Cellular prints

New listing in the 622 press shop that’s a bit off the beaten path: a series of intaglio prints that I think look like cells under a microscope.

I created each of these unique prints in college using completely unconventional processes. For each plate (the prints above use three separate plates), I dissolved copier toner in alcohol, then dripped or poured it onto the clean, heated aluminum. Heating the aluminum made the alcohol dry faster than the toner could move, leaving the shapes you see above. To get this image to print, I then painted a thin coat of silicone over the whole plate, which was resisted in the areas where the toner had dried. Once the plate had dried and the toner was washed off, the ink stuck to the raw aluminum only and I printed these!

I love this process because it employs relatively cheap everyday materials and really is something anyone could do. Plus, both the aluminum and the toner were recycled (respectively from old newspaper printing plates and the last remnants left in the cartridge that usually get thrown away) Each print is approximately 5″ square and signed on the back — and available for purchase here!

Limited Edition Typography Prints

Limited Edition '540' letterpress print
Limited Edition "540" letterpress print

I’ve been trying to work on some art prints for quite some time, but with increasing stock for stores and designing all my PR pieces to send to those stores, I hadn’t had time until now. Two weekends ago, I started playing around with some of the wood type I purchased from Tom in Racine (see what else I got here) and the result was this limited edition of 12 chocolate and aqua prints.

I also bought a lovely drawer of this great blocky all-caps face, which I set in an alphabet and made the limited edition below (half on pearl white, half on ecru paper). Both pieces are currently available in my etsy shop.

Limited Edition 'ABCs' letterpress print
Limited Edition "ABCs" letterpress print